Sizing in watercolour paper: what it does and why it matters
A practical guide to watercolour-paper sizing, absorbency, washes, lifting and how to test an unfamiliar sheet.
A practical guide to watercolour-paper sizing, absorbency, washes, lifting and how to test an unfamiliar sheet.
Cotton is worth paying for when lifting, glazing or heavy wet-in-wet work will push the sheet. Wood pulp remains a sensible choice for studies and practice.
A practical guide to when stretching a loose watercolour sheet is worth the preparation, and when a block or heavier paper may be enough.
A practical guide to choosing watercolour blocks, pads or loose sheets according to preparation, working rhythm and format flexibility.
A practical guide to cold press and NOT watercolour paper, its textured surface, its variation and when it suits the work.
Choose watercolour paper weight by how much water you use, from light 190gsm sheets to stable 640gsm paper.
Two papers that painters argue about constantly, tested under the conditions that actually separate them.
A practical guide to reading Colour Index pigment codes on watercolour tubes, and understanding what they do and do not reveal.
Start with 300gsm cold press paper: Bockingford for affordable practice or Saunders Waterford for a cotton upgrade.
Most early frustrations with watercolour come down to the same handful of problems. Understand what they are and why they happen, and the medium becomes considerably less mysterious.