Wet on dry watercolour: structure without losing freshness
Technique Paint Guide Wet on dry has a reputation for producing stiff, overworked results. That reputation is about poor execution, […]
Technique Paint Guide Wet on dry has a reputation for producing stiff, overworked results. That reputation is about poor execution, […]
Technique Paint Guide Wet in wet watercolour earns its reputation for unpredictability mostly because painters add colour without reading the
Technique Paint Guide Glazing in watercolour is the practice of applying one thin, transparent wash over another that is completely
Technique Paint Guide Watercolour cannot be lightened once it is down. Working light to dark in watercolour is not a
Materials Palettes Guide A palette of six to ten well-chosen single-pigment colours covers most mixing needs. The difficulty is knowing
Materials Pigments Guide Lightfastness in watercolour is not a technical nicety. It is the difference between a painting that holds
Materials Pigments Guide Single-pigment watercolours contain exactly one colourant, identified by a Colour Index code printed on the label. When
Materials Pigments Guide Granulation is not a flaw and it is not random. It is a physical property of certain
Materials Paint Comparison The choice between half pans and tubes is not about seriousness or style. It is about how
Materials Paint Guide Five items that cover the practical gap between painting at home and painting on location, chosen to