Hot press watercolour paper: when to use a smooth surface
Materials · Guide Choose hot press when the mark matters more than surface texture: fine detail, controlled edges, line and
Materials
Technique
How to mix neutrals in watercolour without making mud
A practical method for mixing warm, cool and dark neutrals from two watercolours, then adjusting the result once it is dry.
Materials
Watercolour brush shapes: what each one actually does
Materials · Guide 2 min read Brush shape changes the mark, water load and edge a painter can make comfortably.
Technique
Wet on dry watercolour: structure without losing freshness
Technique · Guide Wet on dry has a reputation for producing stiff, overworked results. That reputation is about poor execution,
Technique
Wet in wet watercolour: how to work with it
Technique · Guide Wet in wet watercolour earns its reputation for unpredictability mostly because painters add colour without reading the
Technique
Glazing in watercolour: transparent layers explained
Technique · Paint · Guide Glazing in watercolour is the practice of applying one thin, transparent wash over another that
Technique
Working light to dark in watercolour: why the sequence matters
A practical value sequence for watercolour: reserve the lightest shapes, establish middle values and place the darkest accents with purpose.
Materials
A core watercolour palette: how to build one from eight colours
Materials · Guide A useful core palette needs enough range to mix blues, greens, oranges, violets, neutrals and darks without
Materials
Lightfastness in watercolour: which pigments fade and which hold
Materials · Guide 7 min read Lightfastness in watercolour is not a technical nicety. It is the difference between a
Materials
Single-pigment watercolours: what they are and why they mix better
Materials · Guide Single-pigment watercolours contain exactly one colourant, identified by a Colour Index code printed on the label. Knowing